Is It Normal To Have Cm Before Your Period?

a rêve

Hello, my friends, I return to write in this blog.

I knew that after a long silence, I found the words, and I take this opportunity tonight I'm feeling particularly inspired. As usual, the basis of my inspiration can only be the music, the desire for the infinite that makes us company all along.

As I write I hear a beautiful melody. E 'Faure.

he inspires me tonight ...

Ah, those French! ... So elegant, whisper their sweet notes that seem to speak to the moon.

I address you, lovers of night. To you who, like me, are incredibly poetic night, I dedicate this melody, melancholy voice of a love found and vanished in the dream, as the text of Bussine that inspires it.

Dans un sommeil que ton image charmait

revais Je Le bonheur, ardent mirage,

Your eyes were softer, your voice pure and ringing,

You shone like a sky lit by the dawn;

You called me and I left the earth

to flee with you towards the light,

The skies parted their clouds for us,

unknown splendours, divine flashes interviews

Alas! Alas! sad awakening from dreams

I call you, o night, give me your lies,

Reviens, reviens, radieuse,

Reviens ô nuit Mystérieuse!

Bussine Romain (loosely based on a text by an anonymous Tuscan)

Stjepan Hauser plays "an après rêve" by Gabriel Faure

Pain In Lower Right Side Of Abdomen When Pressed

Zefiro torna ...

Alessandro Botticelli, "La primavera" 1478-1485

(extreme right of the painting Zefiro kidnaps the nymph Chloris)

Guys, here's Spring! and this morning I feel it in the air. I pay homage to Nature is awakening and that frees us from winter torpor, and I take this opportunity to greet one of the greatest Italian composers of the past, Claudio Monteverdi.

"Zefiro torna and gentle words"

Nuria Rial - soprano

Philippe Jaroussky - countertenor

"Arpeggiata The ensemble is directed by Christina Pluhar

Zefiro torna, and gentle words
the EAR grateful, and 'l footer dissolves in the waves, and murmuring
among the green leaves,
brings dance to the beautiful sound su'l meadow flowers.

Crowned with the crown for Phyllis and Chloris
tempran notes of love, care and joyous;
and mountains and deep valleys ime
radoppian harmony singing the caves;

rises more vague in the dawn sky, and 'the sun
spreads more lights or more pure silver
Teti boasts the beautiful cerulean mantle.

Sol I, for abandoned groves and sun,
the ardor of two beautiful eyes It 's my torment,
as does my good fortune, or cry or sing.

(Ottavio Rinuccini)

This small masterpiece is part of the collection "Playing music" by Claudio Monteverdi in 1632.
It 's a chaconne for two voices (originally designed for two levels by Monteverdi) a duet. The song structure is pretty simple; A first, very rhythmic and regular, takes place on the chaconne bass ostinato and repeated so is the image of Nature is awakening and who is the messenger of Zephyr.
The second part, which coincides with the verse "... I Sol", is clearly contrary to the first, is form of recitative declamation and expression of romantic melancholy of the poet's most intimate. The song is great adhesion to the text of Rinuccini, so it is a beautiful combination of music and speech, also thanks to the colors and so-called Madrigals on some keywords like " aer " waves " murmur " dance", and who bring the bubbling joyousness of Nature awakens.

DF

Gamo Big Cat 1200 Bipod

"Herr, unser Herrscher" - John Passion BWV 245 by Johann Sebastian Bach, Richard Wagner

opening chorus " Herr, unser Herrscher " of the " John Passion BWV 245 " by Johann Sebastian Bach: The text, which source is still uncertain, is derived for the first three verses from Psalm VIII, 2 and is attributed to the remainder directly to the pen of the composer of Eisenach (with some doubt).
The structure of the song is clearly tripartite ABA '(A: up to 4'22 "- B: up to 6'36" in the video below). The third section A 'is the repetition of the first and is based on the words " Herr, unser Herrscher, dessen Ruhm, ist in allen Landen herrlich! " while the following verses instead relate to the second section, which is slightly smaller than the first , but musically very similar, with the transition from key of G minor to that of I b more. As has been duly noted by some scholars ( Jacques Chailley) there is some discrepancy between the words of the text which speaks of glory, and the musical character of the piece dramatic and severe, implying that the band melodic and rhythmic of sixteenth notes made by the strings (violins, violas and second violins) and compact and is present throughout the song, is nothing but the desired performance of Bach's "murmuring of the underground rogue prepares its machinations" (as reported in " John Passion - problems of musical analysis " George pestle).

"Flagellation of Christ" (1444-1470) Piero della Francesca

Lord, our Lord, whose glory

wonderful in every land!
Show us by your Passion
That you are, the true Son of God
for all time,
also of the greatest humility,
been glorified

Signore nostro Sovrano , la cui è magnifica gloria
per tutta la terra!
Mostraci con la tua che Passione
tu, vero Figlio Tues God
at all times, even in
greatest humiliation,
you have been glorified

In the video posted below directs the orchestra and chorus for 4 voices, Masaaki Suzuki, organist, harpsichordist and Japanese director or founder of the Bach Collegium Japan , active since 1990 and specializes in the distribution with period instruments and performance of Baroque music in Japan. Enjoy.